Watch Praybeyt Benjamin 2 (2014) Full Movie Online Free


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Genres: Comedy
Released Date: December 25, 2014
Rating: PG-13





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The film starts off with the entry of Vishy (Ajay Devgn) in his regular fashion that's combined with élan and style. For reasons unexplained till almost the interval, Vishy is at the target point of many goons who follow him left, right and centre to bump him off. As if this wasn't enough, there comes Khushi (Sonakshi Sinha) who 'experiences good luck' in succession after seeing Vishy 'family jewels'. With this, Vishy adds one more 'stalker' to his list! It's only towards the interval that the audiences get to know that Vishy has a doppelganger by the name of 'AJ', who by profession is a killer. And then it becomes clear that the goons actually mistook Vishy to be AJ and hence followed him everywhere. And when AJ and Vishy meet, the former explains the reason to the latter and his friend (Kunaal Roy Kapur) that since he refused to marry the dreaded goon and mafia kingpin Xavier (Anand Raj)'s highly obsessed sister Marina (debutante Manasvi Mamgai), the goons are out to kill him and the love of his life Anusha (Yami Gautam). Tracking down AJ in India, Xavier sends his henchmen to India to kill AJ, which is when AJ devises a plot with the help of Vishy to destroy Xavier and his crazy sister Marina and protect his wife and new born baby.

Does the simple man Vishy say yes to be a part of this risk taking plan and go to meet Marina in a foreign country, does the dreaded villain Xavier get to know about the plan of the duo, does AJ get to save the love of his life and does Khushi become truly lucky and unite with Vishy again is what forms the rest of the story.

Prabhu Dheva, seems to have gone all out to infuse every possible element in this film and has tried to mount it on the same canvas as that of WANTED, ROWDY RATHORE AND R... RAJKUMAR! The sad part is that this time round, he fails miserably and falls flat on his face. Going by the looks of it, it seems like Prabhu Dheva was in a tearing hurry to recreate the same magic of the aforementioned films. Despite ACTION JACKSON being a Bollywood film, the look and feel of the film is that of loud South Indian films. While the film drags in the first half endlessly, the second half too barely has anything in it to hold the audience's attention. The film has no script whatsoever and has been put together haphazardly on the editing table glued together which non-sensical graphics and animation. 

Watch Ungli (2014) Online Free Full Movie Hindi


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Bollywood has witnessed many a theme (read 'genre') of films ever since its inception. Even though there have been many repeated themes that we get to see almost every week, only a few films remain fresh in our memories. There have been many elements that form the crux of any film. One such element is that of corruption which has 'evolved' over the years. This week's release UNGLI falls into this category, which mirrors the 'system of corruption' that is prevalent in today's time. Director Rensil D'Silva's UNGLI is an attempt to mirror the corrupt system which prevails in the society today. At a time when candle marches, protest and agitation are soon becoming passe', Rensil tries to showcase that 'ungli' is the new form of rebellion where you turn the tables in the system. Does it succeed in showing 'the middle finger' to the prevalent corruption? And if yes, how much does it succeed at it? Let's' analyze. 

With the baseline as 'The system is so corrupt that you can only ridicule it', the film UNGLI starts off on a high. The film opens with an old man and his young daughter waiting at the Pension Office and being bullied by the 'babus' working in the office. The old man gets a stroke and lands up in a hospital where his poor daughter narrates her dilemma to the doctor, which is overheard by Maya (Kangna Ranaut), who is works in the same hospital. She informs her friends Abhay (Randeep Hooda), Goti (Neil Bhoopalam) and Kaleem (Angad Bedi) that they got their 'first case'. The team, then, covers their faces in masks and kidnap the 'babus' at night. As a part of their plan, they strap the 'babus' with 'time bombs' and make them run in an empty stadium. Not just that, they also inform the cops and media about the same. In no time, their antics are all over the media channels and they become famous as the 'UNGLI' gang. Slowly the gang starts expanding their operations and putting up the videos of punishing the corrupt on the internet and win the hearts of the masses. The cops, however, are not happy about this and the Police Commissioner (Raza Murad) gives the case to anhonest police officer Ashok Kale (Sanjay Dutt) to solve. But, when Kale fails to catch the gang, he realizes that he will need to use someone who thinks like them to work against them. That's when he decides to put a police officer Nikhil (Emraan Hashmi) on job. Emraan, who happens to be the son of a late cop and a close friend of Kale, is not interested in working with the police and hates the system and it's functioning. He is however notorious in his ways of operating and hence Kale hands him the responsibility of catching the UNGLI gang. Nikhil takes up the job and does his own tricks in punishing the corrupt and takes credit for it pretending to be an UNGLI gang member. The sudden entry of Nikhil wakes up and shakes up the original gang. With a few hints that Nikhil throws at them through the 'trademarked' video messages, the gang tracks him down and eventually he joins them. However, Nikhil soon realizes that the gang is not wrong in their approach towards cleaning up the society. But, due to a certain situation and circumstances, he gets torn between his duty (as a police officer) and his friendship with the UNGLI gang members. Kale, on the other hand, too waits to seek answers from Nikhil as the pressure keeps building on him to catch the notorious gang. Amidst all of this, a situation gets cropped up where all these characters are faced with a situation where they have to either accept the corrupt society for what is it or else fight back by risking their own lives. 

Whether Nikhil will for go his duty as a police office and betray the trust of the UNGLI gang by having them arrested, will Kale manage to get his hands on these gang members, will the gang manage to achieve what it have set out to do... is what which forms the rest of the story. 

UNGLI happens to Rensil D'Silva's second film as a director (the first being Saif Ali Khan- Kareena Kapoor starrer KURBAAN). Rensil, who also doubles up as the film's story and screenplay writer, seems to have let off all his vents against the system in one breath. One can understand the intentions behind him making the film, but there are moments that could have been handled better. The problem with this film is that it lacks certain level of freshness. Even though the subject chosen is an old one, the treatment could have been different. Even though the film has been totally shot at real locations in Mumbai, certain situations could've been made to look more convincing. The scene that the audiences will be able to relate to the most is of the rickshaw guy refusing to travel a short distance. While the film establishes itself and its characters well within the first fifteen minutes, it loses the grip as it progresses. The first half of the film is effective and crisp, unlike the film's second half, which is stretched, thus, making the film bereft of entertainment value. The end climax scene will be difficult for certain audiences to digest. 

As far as the performances are concerned, one can't finger point at any one actor by calling him the captain of the ship. Rather, this is one film, wherein everyone contributes their bit effectively. It is really nice to see the comeback (by default) of Sanjay Dutt, who handles every shot and frame effectively with his ever-so-effective trademark performance. Emraan Hashmi, on the other hand, spares no efforts to match his performance with that of Sanjay Dutt. It is however Randeep Hooda who springs up a pleasant surprise in this film! As always, he exhibits a strong screen presence and is as usual, a delight to watch. Neil Bhoopalam and Angad Bedi perform well in their parts. Kangna Ranaut has done well in her role as part of the 'ungli' gang member. Neha Dhupia, on the other hand, seems to have got a good part to perform on the big screen after a long time in this film where she plays a TV reporter. Shraddha Kapoor sizzles and excels in her first everitem number ('Dance Basanti'). The other actors Mahesh Manjrekar, Shiv Subramaniyam, Raza Murad, Reema Lagoo and others do their bit in carrying the story forward. 

While the background music (John Stewart) of the film is brilliant, the film's music (Salim-Sulaiman, Sachin-Jigar, Gulraj Singh) is not bad. Songs like 'Ungli Theme' and 'Dance Basanti' are peppy while 'Pakeezah' is melodious. The film's editing is very crisp, so much so that the film's run time is only 114 minutes. Dialogues by Milap Zaveri are very real and in today's lingo. The entire film is shot in Mumbai and the DoP has done a decent job of portraying the city. 

All in all, if you want to watch a film about rebelling against the corrupt system then UNGLI is a decent watch for this weekend.


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Watch Kill Dil (2014) Online Free Full Movie Hindi


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We all know that Bollywood is all about mix and match and also permutations and combinations. While the last few offerings from Yash Raj Films stable have been of diverse genre like action (GUNDAY), romance (DAAWAT-E-ISHQ), this week's film KILL DIL seems to be a mix of both the genres. Will KILL DIL be able to live upto the expectations which is generally attached to any YRF film, let's analyze. 

KILL DIL, which is set in North India, starts off with a shaky camera which introduces the two protagonists Dev (Ranveer Singh) and Tutu (Ali Zafar), who are self-confessed 'haraamis'. The duo reveal that their childhood was all about learning 'M for Maaki' and 'B for Behenki...' in place of 'A for Apple, B for Ball'. It was their 'Godfather'Bhaiyaaji (Govinda) who handpicked them up from the dustbin and not only gives them shelter, but also nurtures them to become professional killers. Life goes on absolutely smooth for these two free spirited and trigger happy killers till the time Dev saves the 'criminal-transformer-into-human beings' Disha (Parineeti Chopra) in a night club. What follows after that, are a few meetings, a surprise birthday party and a handful of romantic outings... all of which are enough to pave way to a blossoming romance between the two. Despite opposition from Tutu, Dev still falls head over heels in love with Disha, and gives up all his criminal activities to lead the life of a common man. Ironically it may sound, but the fact remains that Disha changes the direction of Dev's life forever. And when the fifth standard fail Dev decides to become a common man, Tutu helps him to 'acquire' a MBA degree. What follows after that are series of interviews (worth watching), which sees Dev going in search of a job. Do not miss his audition for 'Cobra' brand product. This reformation and transformation of Dev shakes up Bhaiyaaji totally, who then calls up Disha (who is still unaware of Dev's criminal background) and reveals to her about Dev's tinted past. 

What happens when Disha gets to know about Dev's background, does Dev manage to win her over or lose her, and does the villainous Bhaiyaaji allow Dev to lead a normal life away from his pangs, is what forms the rest of the story. 

Let's face it that, KILL DIL is a film which clearly lacks the 'YRF' style. With this film, director Shaad Ali has terribly failed to recreate the same magic which he had earlier exhibited in films like SAATHIYA and BUNTY AUR BABLI. He falters big time with KILL DIL, which goes onto prove that a film cannot solely survive on music, performances or story plot. It has to be the right proportion of the three. 

As far as the actors are concerned, what starts off as an equal balance between the two actors Ranveer and Ali, gradually becomes a Ranveer show, who makes no mistakes in his screen time. The only problem is that he seems to be looking stereotyped now. A few scenes do remind the viewer of his performance in GUNDAY, but he ensures that the viewer sticks to the premises of his character in KILL DIL. His camaraderie with Ali Zafar is admirable. Following him is the multi-talented Ali Zafar, who for some reason seems to be holding himself in a few scenes, which gets translated into a self-imposed restrained performance from him. Parineeti Chopra, on the other hand, is as effortless as ever. But again, her 'effortlessness' seems to be getting repeated in every film of hers. She really has to 'reinvent' herself soon. The jack of the pack in the film is indeed the veteran actor Govinda, who makes a comeback in Bollywood with this film. Even though he has grown old, there is nothing in him which prevents him from moving shoulder to shoulder with Ranveer, Ali and Parineeti. There are a few places wherein his character becomes too loud, which could have been duly restrained. Leaving these four actors, there is hardly any rest of the cast who contribute constructively to the film. 

Music definitely forms an integral part of this film. The trio of Shankar Mahadevan, Ehsaan Noorani and Loy Mendonsa seems to have got all their rhythms and beats right in this film. The only problem is that a few songs (despite being melodious) seem to be out of context and in quick succession. But the tracks of 'Sajde', 'Sweeta', and 'Baawra' remain fresh in the memory even after the movie is over. 

While the film struggles to establish itself within the first half, the second half not just loses its pace, but also the direction in which the film is heading towards. The film's editing (Ritesh Soni) is commendable and is watertight (minus a few scenes). The film's dialogues (Nitesh Tiwari, Shreyas Jain, Nikhil Mehrotra) score big time because of its memorable one liners. While the film's screenplay (Nitesh Tiwari, Shreyas Jain, Nikhil Mehrotra) fails to match up with the story and pace, the film's action (Sham Kaushal) is very average. 

On the whole, KILL DIL is a film, which could have been worth watching, had it been handled and directed properly. This film's definitely worth a miss.


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Remaking a classic is a tough task and producers Murad Khetani and Ashwin Varde are sure that it will be a smooth ride when it comes to THE SHAUKEENS. When the original SHAUKEEN released in the 80s, it may have not have set the box office registers ringing but it surely made an impact that has lasted for over two decades now. Hence, THE SHAUKEENS comes with a bucket of expectations and let's see if the 2014 remake manages to fulfil it. 

Keeping the essence of the 80s film intact, THE SHAUKEENS follows a similar plotline where three lonely men take the path of lust to add some fun to their monotonous life. Laali aka Lalchand (Anupam Kher), is a shoe-shop owner and a family man but his wife has taken the 'sanyashashram' and has sacrificed all sexual relations in order to attain salvation. On the other hand, we have the evergreen KD (Annu Kapoor) a bachelor brooding over his unrequited love. Then we get to meet the third 'shaukeen' Pinky (Piyush Mishra), a widower trying to find love once again amidst a huge family of two sons and his grandchild. The three, after many unsuccessful plans decide to fulfill their wishes abroad and take off to Mauritius for a fun filled trip. While they rent out a house of a young girl, they come across their 'land-lady' Aahana (Lisa). Young, free spirited and hot, the three try to woo the girl in their own way. Unaware of their lecherous stares, Aahana shares her life with them and when she undergoes a nasty break-up, she decides to end her life. But her plans go for a toss when she spots her hero Akshay Kumar performing at a mall in Mauritius. What starts later, are attempts by three oldies who try to impress Aahana by promising her to make her meet her idol Akshay Kumar - an alcoholic superstar. 

Light-hearted, humorous and a complete rib tickling ride, THE SHAUKEENS manages to keep you entertained all throughout. The script, which is a tad different from its 80s counterpart, has enough punch lines to keep you gripped till the end. The first half where the script tries to reveal the life story of the three old men who are trying to find fun in their life is dealt delicately yet with the tinge of comedy,without making it sound vulgar or demeaning! The second half, however, has a lot more of those fun moments that will keep the smile constant on your face. The antiques, the quirks though resemble the original, they have been very aptly adapted to the contemporary times. 

What adds to this fantastic comic caper is the performances of Anupam Kher, Annu Kapoor and Piyush Mishra. They are equally crazy and creepy that will make you laugh and cringe at the same time. Annu Kapoor brings out the gorgeous lecherousness beautifully. He charms wonderfully and as a man he seems the best bet for actually wooing the attention of Aahana. Anupam Kher has been having a great year with one fine performance after another. This one's a more nuanced performance with a special care being taken of his self-conscious body language. Piyush Mishra internalises his frustrations masterfully. The manner in which his Dam of self-control bursts open towards the end is commendable. 

A critic once famously drew similarities between Akshay Kumar's acting and the wooden furniture that doesn't do much. Kumar takes a dig at himself in 'The Shaukeens' when a National Award winning Bengali Director tells him, "The furniture in the frame can act better than you. "The hilarious interactions between Akshay and the Bengali director elicit unbridled laughter. If you'd want to watch 'The Shaukeens' the second time around then Akshay's tug of war between the 'competition' to get into the coveted 200 Crore Club and his 'dream' to win a National Award, will be a big reason. Akshay Kumar steals the show. 

But what comes as a surprise package is Lisa Haydon. After her much acclaimed performance in QUEEN, there were doubts if she would be able to pull off a lead role but she does it with panache and how! Blonde, bizzare and a complete fan girl, Lisa Haydon plays the role of Aahana supremely well. She has a much longer screen space, looks deliciously vulnerable and her tremendous sex appeal is hugely tantalising. She stays true to her dim witted child-like character throughout the film. Cyrus Broacha is equally good in his special appearance. Other actors merely help in taking the movie forward. 

After TERE BIN LADEN, Abhishek Sharma does what he is best at - making a completely hilarious entertainer. From retaining the stunt man aka KHILADI image of Akshay Kumar in the film to interconnecting the paths of Aahana and her three old men, Abhishek Sharma does a good job. Though the direction is perfect for the kind of entertainer THE SHAUKEENS is, there is nothing different or unique to mention. 

Catchy music is another highlight of THE SHAUKEENS. 'Meherbaani' written and composed by Arko is a beautiful melody backed by wonderful picturisation. 'Alcoholic' and 'Manali Trance' by Yo Yo Honey Singh are chart busters that are going to rock the charts for a long time. Lisa's smouldering dance in 'Manali Trance' is breathtakingly captivating. 

The let down factor of the film to some extent is its pacing. The editing could have been tighter. The simplistic manner in which the three oldies relegate themselves to their fate at the end is somewhat unconvincing.While you expect a drastic climax considering the way the contemporary films are made, it turns a little disappointing that the end has been treated very mildly. 

On the whole, THE SHAUKEENS is a full on Bollywood entertainer that you wouldn't want to miss.


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Exactly ten years ago, the famous choreographer Farah Khan made her directorial debut with MAIN HOON NA, a Shah Rukh Khan starrer film that gave a major career boost to many names associated with it. She followed it up with yet another mega blockbuster OM SHANTI OM, again with Shah Rukh Khan. Circa 2014: Farah Khan teams up back again with Shah Rukh Khan, with yet another multi-starrer HAPPY NEW YEAR. In a nutshell, HAPPY NEW YEAR is a film about the underdogs (referred to as 'losers') and their quest to pull off the biggest diamond theft ever. With a runtime of almost 3 hours, does the film manage to live upto the hype and expectations, let's analyze. 

The film starts off with a world dance championship finale, wherein 'Team India' goes missing. Team India is led by the 'Boston University topper' Chandramohan Manohar aka Charlie (Shah Rukh Khan), whose 'entry' is shown in a illegal kick boxing match, wherein SRK mouths the rehash of all his famous one liner dialogues from his previous movies. Charlie is out on a mission to take revenge for his father, Manohar (Anupam Kher), who is conned by the evil mind Charan Grover (Jackie Shroff) and imprisoned for 12 years. Charlie's plan is to steal Rs. 300 crore worth diamonds that are under Charan's security in Dubai. His partners in crime are: A partially deaf Jagmohan Prasad aka Jaggu aka Jag (Sonu Sood) who is an ex-army bomb squad member, a self confessed Parsi 'stud' Tammy Irani (Boman Irani) who is an expert at opening sophisticated lockers and who carries a mini supermarket in his bag, a young hacker Rohan Singh (Vivaan Shah) who is a 'loser in real world, Nandu Bhide (Abhishek Bachchan) whose 'USP' is that he can puke anytime, anywhere, and then there's Mohini (Deepika Padukone), who is a bar dancer with a dream of opening a dance school for young girls. Mohini has a huge weakness for English speaking people! She is someone who lives by the saying 'Haaro toh haaro, Ijjat mat utaaro', which means for her 'ijjat' is everything. The plan is to not just steal expensive diamonds from Charan, but also to restore the lost glory of Charlie's innocent father, by putting Charan in jail. To execute this plan however, the team needs to participate in the 'World Dance Championship' which takes place in the Atlantis hotel, exactly where Charan will be keep the diamonds for a one day display in Dubai. Charlie and his team enroll in this competition and despite all the boys being non-dancers, they use their antics to survive amongst the best dancers in the world. 


With mega blockbusters like MAIN HOON NA and OM SHANTI OM behind her, director Farah Khan (who also doubles up as the film's writer along with Mayur Puri and Althea Delmas Kaushal), by now, seems to know audience's taste when it comes to masala movies. And maybe that's why she makes absolute no mistake while serving the dish called HAPPY NEW YEAR. While the soul and the story of the film remains truly Indian with Bollywood masala, comedy et all... Farah has managed to make a glossy film with stunning visuals. The film is a bit stretched with its run time going to almost 3 hours, the comic moments, dance and music keeps you engaged. 

As far as the acting department is concerned, no prizes for guessing as to who the captain of the team is. It is Shah Rukh Khan, who leads the film on his able shoulders right from the word go. Be it his quintessential romance with his lady love Deepika Padukone or the fight sequences, or his acting performance as Charlie, Shah Rukh Khan excels in every department. In this film, he has been portrayed more as an action hero who can sing and dance, which again, the King Khan has done full justice to. If he sported a 6 pack abs in OM SHANTI OM, he moves 'two steps ahead' to flaunt a whopping '8-pack abs', which looks undeniably good on him! Deepika Padukone, on the other hand, does full justice to her character Marathi bar dancer. After CHENNAI EXPRESS, this is yet another quirky character that the actress has played in one more SRK film. Deepika has definitely evolved a lot as an actress and she proves that yet again with her comic role in this film. Do not miss the scenes when even her silent love for Shah Rukh Khan speaks volumes. Sonu Sood excels in his role and looks convincingly funny. Abhishek Bachchan is back to doing loud comedy in this film after BOL BACHCHAN. In this film, be ready for a double dose of Abhishek as he is seen in a double role. Do not miss his take on his father Amitabh Bachchan's iconic dialogue 'I can talk in English and walk in English'. The ever-versatile Boman Irani, yet again proves that he is a bankable actor and such roles are tailor made for him. Full marks to him for proving right the saying, 'Age is just a number for real performers'. Vivaan Shah also performs well with so many experienced actors around him. After his 'fatherly act' in DHOOM 3, Jackie excels in this film as well, but, in a villainous role. He seems to be on a mission to redefine 'villain'. 

Like her previous films, this film too includes many cameos, including Sajid Khan, Prabhu Dheva, Malaika Arora Khan, Sarah Jane Dias, Dino Morea (as a host), Anurag Kashyap and Vishal Dadlani. Do not miss the camaraderie between Anurag and Vishal, who are romantically inclined in this movie. Anupam Kher is convincing in his 'emotional appearance', despite having a brief role. 

The music of the film (Vishal-Shekhar) is indeed one of the film's major highlights. Most of the songs (a couple of them notwithstanding) seem to be apt for the film's situations and helps in moving the story forward. The choreographers (Farah Khan and Geeta Kapoor) do total justice to this extravagant dance movie. The film's background music (John Stewart) is quite good. The film's editing (Anand Subaya, Tushar Parekh) is crisp. Manush Nandan does full justice in the cinematography department, so does writer Mayur Puri, who doubles up as the screenplay writer and the dialogue writer for this movie. The action sequences (Suniel Rodrigues and Dave Judge) are choreographed really well. Also, as committed by Shah Rukh Khan, this film too sees the name of Deepika Padukone (heroine) appear before his name in the opening credits. The makers have spared nothing to make the film look extravagant and visually stunning. Red Chillies VFX team requires a special mention for the same. 

All in all, HAPPY NEW YEAR is definitely a smash hit film, which has blockbuster written all over it. The film will set new records in the days to come. Go for it!


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Watch Sonali Cable (2014) Online Free Full Movie




A smart and beautiful go getter girl wishes to put all her entrepreneurial skills in one basket. With time, tide and luck on her side, she has everything going for her... till the time her shining business gets invaded by 'Shining'! At this juncture comes the helping hand from her USA returned special friend. Is Rohan Sippy's latest offering SONALI CABLE strong enough to stand the test of time at the Box-Office? Let's analyze!

SONALI CABLE starts off with the young and vibrant Sonali (Rhea Chakraborty), who strongly feels that "To survive in Mumbai, you don't need a college degree: you need just guts!" Well, that's Sonali for you: on your face and unassuming. She, along with the help of a bunch of ghetto boys, makes a living out of providing broadband connections to all the households of her locality. Even though she is doing great for herself in the business, the politician Taai (Smita Jaykar) wants her son Raghu Pawar (Ali Fazal), who returns to Mumbai after doing his MBA from USA, to take it over from Sonali. Raghu, who also happens to be Sonali's childhood love, refuses Taai's offer but insists on working hand in hand with Sonali. Just as when Sonali seems to be dealing with this situation, she is faced with yet another gigantically challenging situation created by Waghela (Anupam Kher), the owner of the sophisticated broadband business named 'Shining Inc', a man who will not take no for an answer. Waghela's sole dream is to take over the whole of broadband service business in Mumbai. He not only poses a huge threat to Sonali and her 'already set' cable business, but also wants her totally out of the Mumbai territory as she is the sole hindrance to him in having a monopoly in Mumbai. The firebrand that Sonali is, she refuses to give in to the demands of Waghela, which forms the reason for an open 'WAR' between Waghela and Sonali, a war where only the smartest can survive! This 'war' gradually opens a can of worms in the form of the growing nexus between MNCs and politicians and other such matters. And it is during this time, when the smart Sonali attempts a sting operation in order to outshine the 'Shining Inc'. 

Will Sonali be able to single handedly fight and win the broadband war against the gigantic 'Shining Inc', will Raghu Pawar choose his love over his mother's political interests and will the shrewd Waghela let Sonali own her broadband business despite her being an obstruction is his business expansion, is what forms the rest of the film. 

Director Charu Dutt Acharya (who also doubles up as the writer of this film) makes his debut with this film. It is indeed sad to see this man struggle with this film at regular intervals. Despite having an interesting concept and good actors, he seems to have not got it right. Shaky camera angles at certain places, a boring first half that's doubled up with an insensible second half leads the film story to nowhere. 

Of the cast, since it's an author backed role, Rhea shines in the role of Sonali. Even though she is only just one film old in the industry, one must say that she has a good screen presence and makes no mistake in befriending the camera. But, because of a faulty script, her character seems to have all the energy but no plan of action. The same applies to Ali Fazal, who, equally shines (if not more) in his role. Considering that the last film which he did was BOBBY JASOOS (where Vidya Balan was the lead) and now SONALI CABLE, it's about time that he avoids being stereotyped. Hopefully, his Hollywood outing (The Fast And Furious) should do the much required miracle for this sincerely talented boy and his career. Even the ever-dependable Anupam Kher seems to be a bit of a letdown in this role. He seems funny at the start but eventually becomes irritating to watch, with an ear bud constantly sticking out of his ear. The multi-talented Swanand Kirkire, despite having a short role, does a good job as the alcoholic 'Dattaram Tandel'. The surprise package of the film is however, the debutante actor Raghav Juyal, who cakewalks through his role of Sada. It's really nice and endearing to see Raghav, who has time and again proved his dancing skills in many TV reality shows, gradually move into films. The rest of the cast like Gabriella Demetriades (as Zooni), Faizal Rashid (as Bobby Bose) and others, hardly have anything substantial in the film. 

The music (Ankit Tiwari, Mike Mccleary) of the film is nothing to write about. The only hummable songs of the film include 'Cheenti Cheenti Bang Bang' and 'Ek Mulaqat Ho'. The film, which could have upped its entertainment quotient, fails to do so primarily because its poor script and bad direction. 

On the whole, SONALI CABLE is a weak film that can be skipped.


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